Wednesday, June 08, 2005
John Keats
Definitely one of the milder romantics, in that he didn't irritate anyone as Percy Shelley did what with his pamphlet "The Necessity of Atheism". Keats was a true soft-hearted romantic in life. He had a weird sor of luck in friends, people seemed to like him. As a young man he befriended a fellow called Charles Cowden Clarke who was the son of the headmaster at the school they attended. Clarke encouraged Keats in his education and, by 1811, he was apprenticed to a surgeon. soon after he met Leigh Hunt, a prominent critic, journalist, and writer whose home was a renouned meeting-place for well known writers of the time. Here Keats rearranged his life, gave up surgery and became a poet. A colourful writer, his poems were always full of imagery, even when his structure collapsed ever few lines. an absolutely tragic thing is that he died at twent-five (in 1821) from turbucleosis, (after having only just fallen madly in love with Fanny Brawne) which he contracted by taking care of his ill brother who died three years before he did.
Now here's a really neat thing that I found, someone decided to scan Keats' original manuscripts and post them on the web, this is the link to "Ode to a Nightengale", as well as many others: http://englishhistory.net/keats/manuscripts.html
Monday, June 06, 2005
Samuel Taylor Coleridge
A good friend of shelley, Byron, Wordsworth and Keats Coleridge is another of this circle of friends who had the most widely known influence on Romantic poetry. While there were others who are to be considered in the full value of romantic poetry I focused on this particular circle of contemporaries and fireds. The only woman who truly was one of their intellectual circle was Mary wolestonecraft Shelley, Percy Shelley's wife. She was not however a poet, so as far as gender discrimination goes in this look at the romantics, there were no female poets amongst these friends who made a significant impact on Romantic poetry.
Many people do include one woman most difinitively when talking about romanticism in literature and that is Jane Austen but she too was not a poet and I'm unfortunately going to overlook her.
Now back to Coleridge, who was a very interesting and impulsive fellow. He's considered oen ofthe most versatile and generally influential individuals of the romantic movement, not only influencing those students of later years but his contemporaries as well. Born the son of a clergy man he was a dreamy sort but loved learning and was well educated before ever entering university at Camberidge. Like Shelley he left university early, but unlike events surrounding Shelley's expulsion, his leaving was due to an impulsive decision to join the Dragoons. His brothers thankfully managed to get him out of it before it was too late for the poet.
Just as he influenced his contemporaries, so did they him. The finest of his work came into being, though he had been quite prodictive before, after he befriended Wordsworth. The friendship was a great one and resulted in great works, the most famous of which was probably the jointly published "Lyrical Balalds". That book is one that is considered a major work of the romantic movement and one that set many a standard for romantic poetry.
For our class, though, that which we would recognize him the best by is the "Rime of the Ancient Mariner".This is a link to the full text, with a few illustrations: http://etext.lib.virginia.edu/stc/Coleridge/poems/Rime_Ancient_Mariner.html,
and this is an excerpt I liked, a moment of peace in the carnage:
The moving Moon went up the sky,
And no where did abide :
Softly she was going up,
And a star or two beside--
Her beams bemocked the sultry main,
Like April hoar-frost spread;
But where the ship's huge shadow lay,
A still and awful red.
Sunday, June 05, 2005
William Wordsworth
Poet laureate in 1883, Wordsworth published a book of poems, with Samuel Taylor Coleridge, called "Lyrical Ballads", in 1798. That book was one of the major things that helped establish romanticism in England. This is a link to "The Prelude":http://www.bartleby.com/145/ww286.html, which is basically an autobiographical work written in, count 'em, fourteen books. It was partially dedicated to Coleridge, a great romantic poet himself, and good friends with Wordsworth. The books of the pome are bluntly titled with lines like: "Introduction- Childhood and Schooltime", "Summer Vacation", "Camebridge and the Alps", "Residence in London", "Residence in France". It basically chronicles his development through the years, mental more than anything. The last few books have the word imagination in the title.
A bit about him: he graduated Camebridge, which is kind of funky since Shelley got kicked out of Camebridge, and stay in France he came home greatly influenced the the French Revolution. He took a lot of inspiration from Rousseau's writings, as well as other philosophy floating around at the time. Anyone remember Socials 9? Voltaire was floating around there too with his radical thoughts, "I don't agree with a word you say but I will fight to the death for your right to say it".
Wordsworth was a lover of nature and it influenced much of his work as well. THe political, radical side fo things cooled off eventually and he became closer to the sensibilities of society as he grew older, hence being named poet laureate. I suppose of greatest mention is his friendship to Coleridge, which was to the poin that they were inseperable, like Asterix and Obelix, just not as violent, and during the span of which he produced his finest works.
A couple of Wordsworth quotes (I love the dreamer one):
"I was the Dreamer, they the Dream...."
"To me the meanest flower that blows can give Thoughts that do often lie too deep for tears."
I love this, it's the opening verse to a poem called "Written in Germany, On One of the Coldest Days if the Century", you can see exactly how cold he is in it:
A PLAGUE on your languages, German and Norse!
Let me have the song of the kettle;
And the tongs and the poker, instead of that horse
That gallops away with such fury and force
On this dreary dull plate of black metal.
(Link to the full poem:http://www.bartleby.com/145/ww160.html)
Thursday, June 02, 2005
Percy Byshee Shelley
HOW wonderful is Death,
Death, and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn
When throned on ocean's wave
It blushes o'er the world;
Yet both so passing wonderful!
Shelley was an interesting fellow in general, no only in that he decided exactly how he was going to die, after a gypsy woman told him so. He was passionate about knowing things and learning. There are anecdotes where a freind would see him pick up a book at ten in the morning, stand next to a fireplace and begin to read. The friend returns, it's ten at night by now, to find Shelley still standing in the exactly same spot reading something. There are many stories of his reading for sixteen hours almost daily. The poet was, as knowledgeable, so opinionated. He even got kicked out of Camebridge at one poin after publishing and anonymous pamphlet: "the Necessity of Atheism". Here's a link to a full text of it : http://www.wam.umd.edu/~djb/shelley/necessity1880.html. Shelley, being a renouned and stubborn atheist was of course the first suspect of spreading this heresy and he made no effort to argue. They expelled him almost immediately.
On a more personal note, Shelley had two wives, the first of which divorced him, but the second of which outlived him and is at least as famous as her husband over a little story she wrote in a contest between Shelley, Byron, Herself, and another fellow, perhaps Trelawney.
That story was of course "Frankenstein". To think it was all over a contest between bored poets as to who could write the scarier story.
Wednesday, June 01, 2005
Lord Byron
Okay so, like I said before, now I'm gonna start looking at the Romantic poets, Lord Byron (George Gordon, really) is first up:
"I can never get people to understand that poetry is the expression of excited passion, and that there is no such thing as a life of passion any more than a continuous earthquake, or an eternal fever. Besides, who would ever shave themselves in such a state?"
- Lord Byron, in a letter to Thomas Moore, 5 July 1821.
I like that snippet I found from a letter. It probabaly tells you more about Byron's character than many an essay written on the thing.
Child Harold is probably one of, if not his most famous work, this is one section of Canto Four:
The beings of the mind are not of
clay;Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which
FateProhibits to dull life, in this our
stateOf mortal bondage, by these spirits
supplied,First exiles, then replaces what we
hate;Watering the heart whose early flowers
have died,And with a fresher growth replenishing the void.
One thing to be said about Byron is that he did get around when it came to wives. Not so much his own, but that never stopped him. There are countless odes and sonnets, poems, to the love of his life. Her name seems to change quite a bit though. There's even a Very amusing poem berating a woman who had cheated on her husband to be with him and then somehow broken his heart, he doesn't go into detail. It's called "Rememebr thee, Remember Thee!":
Remember thee! remember thee!Till Lethe quench life's burning stream
Remorse and shame shall cling to thee,
And haunt thee like a feverish dream!
Remember thee! Aye, doubt it not.Thy husband too shall think of thee:
By neither shalt thou be forgot,
Thou false to him, thou fiend to me!
Tuesday, May 31, 2005
Third Review of a Literary Review Blog.
Second review of a Literary Review Blog.
First Review of a Literary Review Blog.
Sunday, May 29, 2005
Intro
I suppose now I want to know about Shelley and Byron more than before encountering this book, not to mention those they kept company with.





